Monday, May 21, 2012

New Frontier

One thing I've always liked about this blog is how it can act as my own personal news source in my own little ego orbit. It allows for more than just a Facebook status update or the 140 characters of a tweet for those times when I feel like getting on a digital soapbox to rant and rave.

Or when I want to make a big deal of something.

And that's what I'm looking to do today. Now, don't worry it's not THAT big a deal, but it's a little something related to my time writing on this blog.

I know what you're thinking: "But, Mark, you've been SO prolific on this blog!"

Of course it has...I mean, just look at all the activity and posts these past 8 months!





By the way, the whole "animated gifs" thing seemed to break just as I was in post-grad panic mode (a mode that has lasted some 372 days so far...?) but I must say its a shame I wasn't quite aware of them when I was blogging so much more prolifically.

ANYWAY, this is off-topic. What I'm getting to is that I'm going to be putting any future blogging on hiatus as I gear up and shift my attention towards a new online adventure.

Now, since I haven't really blogged much at all the past year this isn't THAT big a deal, but I'm a sucker for closure and making a thing out of things so I wanted to at least leave this blog in a place where I'm happy with it as a cohesive work. Like, if some sad porn-blocked kid in a Midwestern state stumbled upon it one night, they'd be able to find a cohesive narrative if they wanted.

(Wow, such ego I still have! This from a star office PA on America's Kidz Got Singing)

But it has pissed me off that I haven't kept up on this a whole lot because I always liked having a forum and being able to bring stuff up and comment on things. Once out of film school though, its been harder to fill the blog because there's kind of sensitive info going on. Not top secret Deadline: Hollywood shit (well, maybe once), but I'm not the type who is going to blog and post every time I have a job interview or a potential opportunity arises.

Obviously I'm not opposed to self-promotion, but I'm also not too crazy about it either. That's why I've never really pimped this blog a whole lot. I like that the audience is almost exclusively made up of past residents of the western suburbs or Loyola University Alumni, it allows me to make obscure jokes about pulling a foul ball (?) over the Markese's house in tennis baseball or "respecting the pool rules".

But now I've decided to move on to something a bit bigger. Something that I can pimp out and talk to people about and grow and so on.

With that, I'd like to introduce y'all to GUST.

GUST is kind of the culmination of my years on this blog, spent complaining and commenting on my experience as a Chicagoan who has been enamored and angered by the City of Los Angeles, and packaged as an inclusive and expansive place to share what I've learned from the experience.

It's a website / blog made with the hope of brining together these two places I've called home in my life: Chicago and L.A.

Specifically, it's really a place for Chicagoans who--like me--have relocated to L.A, temporarily or permanently, and still pine for a stronger connection to the amazing sense of community that you often take for granted in Chicago.

One thing I want to make clear is that GUST is not anti-L.A. I mean, it might skew that way sometime but it's really about the intersection of these two great American cities. It's about creating a place and a community for people who may sometimes feel disconnected from this parking lot and smog tester-filled town.

It's ALSO about opening up Los Angeles to both newly landed Chicago folk or lifelong Los Angelinos. It's a website that I hope is just as informative as it is entertaining. A place that can link people together who live two thousand miles or two blocks away. A forum that will still allow me to spout off about Italian Beef or being new in town while hopefully reaching beyond those who can easily point to Galena, IL on a map.

And so to focus on GUST, I'll have no immediate plans to be blogging again on MGH anytime soon. This blog has been a great precursor and made me realize how much I like venting about stuff like Carmaggedon or McDonald's ad campaigns. Now I'll feel free to push GUST in people's faces without having to make them sit through a description of my latest short film or more retrospectives on USC.

Hopefully I can return to this blog, in one way or another, at some point because it has been an important way for me to stay connected to folks back home ever since I moved out here.

But it's been tricky enough to keep up on this blog with my post-grad adventures and I am ready to move on and move forward to something different. Something that I hope can become...something someday.

I'm not sure. I do know that it will be a way for me to keep writing, which is always a good thing.

It's always nice to have this or any blog as a free spirited break from the scenes and structures and spec scripts that I seem to fill up so much of my time with these days.

So the good news is that I will still be writing.

Just not at www.markkosin.blogspot.com anymore.

I do hope that you all take a long tour of GUST and let me know what you think, like us on Facebook, follow us on Twitter, and please PLEASE feel free to hit me up with any suggestions and constructive (or destructive) criticisms you might have.

That address, just so everyone can scribble it into their trapper-keepers, is www.gustLA.com.

Anyway, I'll sign off here for now with the intrepid image that pushes me and hangs above my monthly calendar from one of my all time favorite shows, "The West Wing" -


It's a commonly uttered phrase by President Bartlett and his staff and it calls to mind that we are always best in motion, looking forward, and ready to jump into the next thing right away, whatever that may be. Also nicely typified by Sam Seaborn in this clip.

So thanks, family and friends, for stopping by this blog o' mine.

Hope to see you around the next thing as well.


- MK

Time to go out with a bang with some inspirational and vaguely phallic imagery!


















Thursday, May 17, 2012

USC Moment #1 - MANGINA (or the Most Important Thing I Took Away from Film School)

So it has come to this. It has taken me nearly a year since graduating to finish this thing I originally said in Feb 2011 I'd have done "before graduation."

But I think it may have taken 365 days-ish to be able to at least get a sense of what the most important thing I have taken away from USC film school is. And now I can truly say I know what that is, and can sum it up in one word:

MANGINA

Now, you can head to the Urban Dictionary if you don't know what a "mangina" is, but to get the gravitas behind this seemingly crude term you have got to know the story behind my #1 USC Film School Moment.

It was second semester, fall of 2008, and we were finishing our 508 films. This was back when each of us thought our 5 minute shorts shot by complete amateurs was going to be our one-way ticket to Sundance (granted, it kinda was for some, but mostly everyone ends up with a five minute kinda-blurry movie that just screams "first film").

This had been a long semester and an even longer year. Take the fun stress of moving to a new city and add it to a ridiculous production schedule and mountains of pressure heaped upon yourself to make the next "Songbird," and by the time the semester is over all you want to do is bathe in river of whiskey and cigarettes and never hear about the 180 degree line as long as you live.

That was my mental state when it finally came time for the class to screen our films in a big, fun, blow-out screening at USC's Norris Theater. It was a great feeling, to be DONE. And to all be done together. Everyone made their own individual films, but we had all accomplished something.

That night we did what we'd been doing all semster: we DRANK.

Like.....a lot.

Norris has hosted some of the biggest names in cinema, from Hitchcock to Spielberg, and is a pretty classy spot. But that night the back row looked like New Orleans after Mardi Gras. We had gotten a little boozy at the screening earlier in the semester, but this was a total party. Everyone was excited and thrilled to be done.


Like this.... x50

Yeah, it was great. Some folks had films that really impressed and showed the promise of future projects. Some.....didn't. And one film terrified and confused the hell out of people. After each film, each director gave a little speech where they either totally embarrassed themselves or whipped the crowd into a frenzy, and somebody was always screaming "NEWMAN."

Because that's just what we did.


I gave my speech and all I remember is that I had quite a bit to drink and don't remember anything else. I think I was either funny or well above the legal limit to be speaking in public. Either way, people laughed.

Totally shitfaced here. Now an MFA graduate.
After the films screened, we took the reception outside and the party continued. But after the hands were gladded and compliments bandied about, it was mostly classmates who were left. At this point, we engaged in a tradition that had started when the first half of students screening in October.

The tradition....was Mangina.

See, there's this statue in the area around the Norris Theater. There are actually many statues, but there is one in particular that is officially called "Reclining Male Nude" (I looked it up).

But as you view the picture below, you'll see this "Male Nude" doesn't seem to be much of a man at all- at least not by Michelangelo's "David" standards.

"Reclining Male Nude"

And so we called it Mangina.

But we didn't just call it Mangina...where is the dignity or respect in that?

It was christened "Mangina" in a ceremony of the utmost grandeur and solemnity.

Or, to be me more accurate, somebody smashed an empty liquor on the statue's crotch while we all hoot and hollered like Brits at a mongoose fight.

It was fucking hilarious. And if you fail to see the humor, let me explain it again: we smashed an empty liquor bottle onto the groin of a nude statue.


The act really speaks for itself.


And what was special is this was the second time it was done, so it wasn't just petty vandalism anymore. Now, it was tradition.

TRADITION! TRADITION! 

For years to come, for documentary shorts and narrative films, when enough of the class comes together.... Mangina gets hit like chicken wire at Bob's Country Bunker.


Now, yes: hitting works of art in their vaginal areas with whiskey bottles is a great story and an amazing moment in anybody's life. But, the #1 moment from all of USC film school?

Better than Favreau? Better than Coca-Cola?

Better....than Spielberg?




Yes.


When we smashed the shit out of that Jameson bottle on Mangina, we did it as a collective class. Or, some of our braver, more inebriated members did it while everyone else watched and laughed.

I'll forever remember Mangina because it reminds me that the greatest takeaway from film school wasn't  learning how to set up a shot or hearing advice from a working Hollywood director or getting a degree that could (supposedly) open doors.

The greatest asset of film school was people.

Specifically: classmates.

Classmates who held boom poles on your set or gave you notes on a script. Classmates and--really: friends--who helped you blow off steam on the worst days and told you, honestly, that something worked on a good day.

My classmates and friends fostered my creativity and ambition more than any single teacher ever could. They help you out, you pitch in for them, and you all come up together.

USC was and is amazing because it does an especially good job (in the grad school) of bringing together all kinds of creative types from all over the world and gives them an opportunity to work and make movies with one another.

Not everything always works out, but having to work with people you don't agree with is part of the process as well. I learned just as much from my bad film school relationships as I have with the good ones.

Not that I had too many bad ones, especially with my incoming class, the class of winter 2008, which may come out looking like the 1927 Yankees of film school classes. Seriously, not to #humblebrag, but my class is out in the real world kicking ass right now.

We've got a Nichols Fellowship Finalist, successful independent producers, some exceptional thesis film directors, a TV associate producer, a struggling blogger, and a rock star guy and director who is about to shoot his first feature with an Oscar-winning actress.

That's about as impressive as it gets post-film school.

Could there be some kind of mystique to the Mangina?

Something is definitely going on with that group of fifty or so students who awkwardly met one another in the old Lucas Building lobby some half-decade ago. Now, I know of plenty of good folks and success outside of our class, but there's always something unique about those people you first got to know.

So as different classmates pursue individual career and life goals and separate and move away more over time, and as some reach dizzying highs of success and validated parking while others sink into a well of despair and broken meters, it is nice to know that there is a unifying figure that stands out as a monument to how fresh and nervous and stupid we all once were.

Something that reminds us of our one-time confidence and uncertainty.

Something that binds us as having all started at roughly the same place.

Something that is really just an over-elaborate dick joke.

I'll always have the classmates.

And we'll always have Mangina.







Monday, March 26, 2012

USC Moment #2 - A "Rendezvous" with Destiny

So, YES, it has been a while since I've blogged and YES I think I said I would finish this list of "Top USC Moments" before I graduated .... last year.

BUT, I have been busily navigating the lush jungle of post-grad life as of late.

Actually, it is more like a desert...like a desert where not only do you not have water, but you owe a bunch of water through elaborate water loans as well. That's a pretty good summation of post-grad times.

Now, see, that sounds all kinds of depressing ... which is exactly why I aimed to finish this list before graduation, when my idealism and hope were at their peak. But the only thing I hate more than student loan debt is not finishing something I've started, so we're going to go all the way back to Fall 2009 to look at my #2 Top Moment at USC....


For those who don't remember 2009, please view this highly informative video


So, in late 2009, in the midst of Tiger Woods' sex scandals and Bill Clinton's clutch performance, I had the privilege of being selected as a finalist in the 2010 Coca-Cola Refreshing Filmmakers Contest with my unflappable Muncie-Indiana-native producing partner, Josh Compton, for my commercial pitch - "RENDEZVOUS".

For those who don't know me at all or have never read this blog, I can safely say there are three things in this world I truly love and believe in: God, America, and Coca-Cola.

Exhibit A - Here's me striking a not-uncommon pose while traveling in Europe in 2005 -


(That and my Coke cooler, Coke t-shirt, Coca-Cola toothpick dispenser and about two decades of acidic high-fructose corn syrup congesting my insides add up to the fact that I enjoy this beverage)

Needless to say, being given a budget to make an actual COCA-COLA COMMERCIAL was going to be a dream come true.

But I'll say this... after getting the team together this production became a NIGHTMARE. Not because of the team (quite the opposite - they were awesome), but we had a very ambitious commercial and had woefully little time and resources to get everything together.

Plus, putting a large scale production together is stressful enough on its own. But then imagine that there are 6 other large productions going up, and one of those productions is helmed by two very good friends with whom you share a lot of mutual friends willing to help.

Nightmare.

But we scraped, scrounged, hustled, and muscled and just barely got everything together in time to start the three day shoot in early December. Like, we finally locked the location for Day 2 in the middle of Day 1.

So far this all sounds rough, not really "top moment" material, but the second we started "Rendezvous": DAY 1, my three weeks of Hell became three days of Heaven.

Every bit of work that we had done paid off. I was able to stay 100% focused on bringing the script to life with my brilliant DP Jon and amazing AD Li.

Even though I had directed before, this was the first time I got to enjoy the full experience of pure directing. See, making my 508 was just as much about survival as it was directing. During 'Rendezvous', I had a monitor to watch, a producer to put out fires, an AD to organize everything...and all I had to do was tell the story. Which, after weeks of begging for food and sweating it out on money and locations, was just so much fun.

Our cast, headed up by Josh Keeler, was great and really rolled with some punches as our student production marched forward with all the fun and excitement that production has to offer. Just a few pics from the shoot are here -



(more pics here) Another thing that was great about the shoot was directing felt good. It was still stressful and difficult but it was great to oversee a production of that size and not spend each night weeping in the shower. Apparently, I had gained some level of comfort in the director's chair.

I was very glad for the opportunity and was disheartened to hear that Coke was going to discontinue the Coca-Cola Refreshing Filmmakers Award for some "Sprite" bullshit.

But, gotta say - even though I didn't win it all (post-game wrap up here) - I felt very lucky to be included in the last (?) Coca-Cola Filmmakers competition.

And I'll forever remain proud of my Coke commercial because it was the culmination of things I really care about: Coke, America, film, and hidden right-wing messages.

So please enjoy the fruit born of my #2 Favorite USC Moment - "RENDEZVOUS"

video

And thanks again to the crew that made it possible! -

produced by josh compton
cinematography by jonathon barenboim
assistant director li lu
production sound sean wright and chris pratola
production design katy echols
edited by mark newman
sound design mike tounian
composer rob gardner
casting director louise abnee
location manager john paul henderson

Friday, January 27, 2012

Shit I Say

So, I'll dispense with apologies / excuses for not blogging in months. As previously seen, my time at a certain corporate entity made it so I needed to keep my day-to-day musings on entertainment to a relative whisper.

HOWEVER, my self-impossed muzzle does not let preclude me from addressing my first (but certainly not last) Celebrity Twitter Feud!*

*Not really a feud....barely even a scuffle...but still...

This scuffle (or, even that's too much, let's call it a "misTwitterstanding")...so, this misTwitterstanding occurred with a personal hero and Chicago sportscasting icon, Mr. Stacey King (@Sky21King).

How doth this tragedy unfurl? We'll have to wind it back to December 12, 2011....

This is when the ubiquitous "Shit Girls Say" debuted and went viral faster than a video of Mitt Romney getting an erection while firing American workers. The video is very funny, very well done and mercifully short....



After the video skyrocketed to internet and pop culture fame, it produced hundreds of thousands of knock-offs, from "Shit Asian Girls Say" to "Shit Mixed Kids Say" to "Shit Relaxed Girls Say to Natural Hair Girls".

The copycats of course spread to geographic locations and of course "Shit New Yorkers Say" and "Shit People Say in L.A.*" Both are moderately funny wink and nods to the local lifestyle but both suffer from being too long (over 2 min, original SGS is 1:19) and just not that original.

*Props are warranted that the L.A. vid was titled "Shit People Say in L.A." rather than "Shit Los Angelinos Say" since most of the jokes are from the great swath of folks who've transplanted themselves to Cali 

It was with an upset stomach and clenched eyes that I awaited the "Shit Chicagoans Say" video to snake it's way into my Facebook or Twitter newsfeed. Worried that it would befall the same problems of every other video and, gasp, maybe even be worse.

Then it happened and I bore witness to this "Shit Chicagoans Say" video. Yikes. WAY too long... poor prod value... just the one guy... Dude, I like the enthusiasm and I guess I can't blame you for trying to ride the snake but.....*sigh*.

The second that I saw it I wanted to rip it apart, but figured I'd try to spin a negative to a positive and showcase something truly unique to Chicago - the amazing proclamations of Stacey King in remix form care of a local Chicago hip-hop producer @NewToneProducer.

Only a Chicagoan would have the hip-hop sensibilities and skill combined with a love of Da Bulls and Stacey King to produce such a sick mash-up of D. Rose's exploits. So I tweeted - 

"Make no mistake about it, this is REALLY shit that chicagoans say - or anything else that comes out of "


Simply to pre-empt anyone who would view the video I thought was sub-par and instead showcase a true viral work of art. But Stacey King had other thoughts about me calling him out, responding...


" LOL...sounds like you're a little bitter? Lose the son & quit tweeting hate & do something positive with "



Oh no! Stacey thinks I'm bitter! He thinks I'm tweeting HATE! He thinks I'm not doing anything positive with my life!


This sends me into an ideological tailspin....and not the good kind of 'Tailspin' where Baloo the bear is a pilot for some reason....


Maybe Stacey is RIGHT? Maybe I'm just jealous because I am a Chicagoan living in LA and lack the ability to make my own 'Shit Chicagoans Say' video because I'm surrounded by palm trees and Lakers ...no wait, Clippers.... no, wait.. back to Lakers....fans?!?


Well, I may dispute Stacey's claim that I am tweeting hate (I mean, I do tweet hate, isn't that what twitter is for?)...but I never wanted to tweet hate in Stacey King's direction. Or even in the direction of that poor guy who tried his best to make a "Shit Chicagoans Say" video. (Still, though, it's NOT good, right?...I mean, other people say 'huh?' don't they?)

But, I WILL take Stacey's advice to do something positive with my life (right after I finish using my time to write this rather inane blog post).

I'll make my OWN video... no, that's annoying....

But, no matter what, I've learned a valuable lesson from Stacey King that I may just take as my new personal motto -

"Don't HATE... CREATE"


...



...


Ugh... that's the stupidest motto I've ever heard. Fuck it, I've got a different motto -


"Hey Kosin, why don't you stop tweeting B.S. on Twitter and spend a little bit more time on your own writing, you self-involved, social-networking addicted loser?!!"


Mmmmmm... that looks about right. That's a motto I could turn into a Successories poster or something...



...


....







Yeah, that looks pretty good.



THANKS STACEY KING!

Now I'm doing something positive with #mylife.

Monday, November 21, 2011

Inside Hollywood's Most Powerful Agency

***NOTE: THE FOLLOWING BLOG POST IS IN STRICT ADHERENCE TO CAA'S CONFIDENTIALITY AGREEMENT AND SOCIAL MEDIA POLICY***
 
So, I have been crazy busy the past few weeks, but glad I've finally found some time to share how my internship at CAA has been going.

Well, let me say it has been ****! The ***** are ***** and I have been *********************. It's been ******* being able to ********** every day in the ********* of Hollywood. I mean, the amount of *********** I've seen has been ***** ****! I've ****** into all kinds of ****** ****** like ********, **** ********, and *** "********" *****. The **** was being in the same elevator with ***** ********. *** is just as ********* and ******** in person as you'd hope and expect.

I've mostly been **** ****** and ***** **** of ********** ****. I **** in the ** *** Department, which has ******** ****** who I really *** ***** ****. I spend so much time ******* ***** ******* and *** ***** *******- it really makes you feel like you're ******* *** the *******, or "******* ** *********" as they say. 

There are so many more ****** ******* I'd love to share but I'm ****** **** from a ********* of ******** **** and ******* in time ******* of *** to meet ****** and ****** ********** ***** ******.

Luckily, I'm heading back to Chicago this week for Turkey Day and I'll be able to ********** a bit more on the ******* ******, ******, and ******** I've had the past few weeks.

It's been **** ************


-mjk

Friday, September 30, 2011

Oh Say Can You CAA?

It's not too often I get to use the blog for a bit o' breaking news but here's a bulletin hot off the presses:

I got a job!....of sorts.

It's actually just a ten week paid internship, but the 'what' isn't as important as the 'where.'

Most notably, this paid internship is at Creative Artists Agency. Otherwise known as "CAA."

Otherwise known as "the preeminent A-List talent agency in Hollywood, if not the world."

Holy shit!

Those careful readers (Tom and Nick?) will know I've mentioned CAA a few times, most notably when I had a class in the top-tier, top-shelf agency last fall.

How it all came about is as simple as it is boring to write about. There was a posting on USC's job board. Looked like a pretty awesome - if not long shot - opportunity. I applied. A month later I had a phone interview. A week later I had an in-person interview. Now next week I start what is sure to be some of the busiest, most interesting, most educational, most intense, and most stylish* few months of my tenure in California.

*As a scruffy film student I've been on a steady wardrobe diet of flannels, t-shirts, and Cubs paraphernalia. This is the first time I'll be wearing a tie consistently since leaving the hallowed halls of Benet Academy. 

Luckily, what was true then remains true today.....I look damn good in a tie. 

So, yeah, pretty wild right? It's funny.... I kinda feel like the episode of Seinfeld when George lands his job with the Yankees....(which is an apt analogy since CAA happens to represent....the New York Yankees...)

Jerry : The New York Yankees?!
George : The New York Yankees!
Jerry : Ruth, Gehrig, DiMaggio, Mantle ... Costanza?

From the first time I found out about CAA was and even after going to classes their for a semester never in a million years did I think I'd be driving to 2000 Avenue of the Stars, Los Angeles, CA every day (at least, not to go to work).

Btw, how about this place? Like, even the address is pretty baller.

I feel like Jerry should be somewhere saying "Spielberg, Clooney, Hanks, De Niro .... Kosin?" 

Now, I'm expecting my tenure at CAA will end better than Costanza's.... getting traded to Tyler Chicken for an all-chicken Yankee concessions.

Hopefully I'll have more on this to come, but shit who knows if I've got time to keep up on this thing?

We all know how demanding agents can be...



BOOM. Think I'd get an agency gig and not show some love to the most famed agent around. Enjoy the video, and just think......that wonderful screaming asshole could be ME someday!

(not likely)

But speaking of art imitating life....or art imitating Creative Artists....funny that after finding out the news I also came across this audio clip from a musical based off a former CAA assistant's experience. It's a rather catchy and entertaining dig on the famed "high-stress" atmosphere inside.....check it out.

The lyrics are a little inside baseball but you get the jist. Rumors of dreams being crushed and hearts ripped out always swirl at the big agencies.

Is it true? Are the next few months going to be nothing but torture? Will I become horribly bitter and disillusioned? Is my soul going to be crushed?


I doubt it.


But, being a Cubs fan, at least I'm used to it.


- mjk

Friday, September 9, 2011

USC Moment #3 - The Man. The Myth. The Spielberg.

Okay, so moments 4 and 5 were all well and good, but now it's time to get to the real top-shelf stuff. The "remember it like it was yesterday for the rest of your life" stuff. And that's what these final three moments are, without a doubt.

My #3 (though could easily be #1) favorite USC film school moment is when Steven Spielberg came to campus...to the Steven Spielberg class...to be interviewed and field questions from students.

First, just a blurb about the "Spielberg Class" that I was in. I happened upon it rather fortuitously, having already planned to take a directing class on Wednesday nights. I was hanging out around campus killing time until my directing class started and a friend mentioned she was going to sit in for the first half-hour of Spielberg before heading to our directing class. I tagged along and was wowed by the preeminent Critical Studies professor at USC, Drew Casper.

The first class opened with a Spielberg video montage followed by Prof Casper riding into the theater on a bike dressed in a red hoodie sweatshirt to the E.T. soundtrack.

Needless to say, I dropped my directing class the next day and decided I could probably learn more from watching the complete works of Spielberg than spending three hours each night arguing about the 180 degree line.

CUT TO: Some two months and roughly ten Spielberg movies later and the big night was upon us. Casper explained that Spielberg would come in, he'd interview him for a bit, and then the floor - and the majority of the time - would be open to student questions.

Okay, so I am prone to hyperbole from time to time, but let me just say - the roughly 90 minutes that Spielberg was in the theater, talking and answering questions, was among one of the warmest, happiest, most thrilling, fascinating and inspiring nights of my life. It was like the equivalent of actually BEING in a Spielberg movie (with respects to the Jurassic Park ride at Universal). I've never felt such kindness, warmth, and emotion flow from a speaker to a crowd of 300 people. To hijack a line from Spielberg's first Oscar winning film.....

"The Spielberg visit is an absolute good."

"Why?" the cynical, critical, and curious may ask. Well, just his persona was so comfortable and you knew he was really truly happy to be there. It helped, of course, that as a class we'd been studying the man and the work for weeks and there was equal amounts of joy for us that he was there. But these are vague, I'll share a few specifics:

Firstly, I asked Spielberg the second question of the night. I actually kinda talked to the man. My opening was better than my actual question, though, when I stood up...scruffy beard, Cubs cap on, untucked flannel.....and said "Hello Mr. Spielberg, thank you so much for coming, I'm a big fan of all of your work, though I think my favorite thing you've done is your cameo performance as the Assessor of Cook County in the movie 'The Blues Brothers.'

Big laugh. Spielberg too.

He might have said "thank you" or something but how the fuck do I know, I was kind blacked out while I was talking. Talking to Steven Spielberg, did I mention that? Anyway, I asked a real softball question (2nd of the night, remember) about what it was like coming up with a group of young filmmakers like Coppola and Lucas and he gave a decent answer. It didn't matter. My night was made.

Some other highlights included seeing my friend have the thesis of her paper get proved from the mouth of Spielberg himself when she asked about how 'Amblin' - S.S.'s first short - seemed to diverge from what he usually did in films. He agreed and said that in 'Amblin' he was trying to make a movie that was more popular at that time - about teens, drugs, and sex - rather than something truly near and dear to his heart.

There were other great moments: he dispensed some advice for young directors - "The hardest thing is knowing what you want," he really opened up when asked about Schindler's List and how that film was important to him, and a great moment of hilarity when a very well-spoken fanboy demanded to know why the Tyrannosaurus Rex, the "hero" of Jurassic Park and star of the JP franchise, was allowed to be so easily killed in JP:3. Which Spielberg did not direct, only exec produced.

"As you said," Spielberg replied, "I did not direct it."

Crowd laughed.

"But, you have a really good and true point.....let's just say.....I'll make it up to you when we make the fourth one."

Aaaand the crowd went wild.

There were tons of those little moments that were fun - sometimes because it was blowing our minds that this legendary guy was here, other times were just because he had very interesting, smart things to say and it didn't matter how much his movies grossed - but the conversation was always engaging from both sides.

One other very cool moment is a tip of the cap to Casper who told Spielberg about a play he'd seen in London called "War Horse."

S.S. said he's been meaning to see it.

Casper said "I expect 'War Horse' will be your next big live-action feature." The crowd laughed and cheered - we'd heard this before. Spielberg said he'd have to check it out. This was fall of 2009.

WAR HORSE, directed by Steven Spielberg, opens everywhere this Christmas.

So, all in all, it was a pretty amazing and special night, capped off by S.S. stepping forward to directly address all the students. He reached out to us and gave us an edict from the heart about us being the next generation of filmmakers.

"The future of the industry isn't in my hands - it's in yours."

With that we thanked him with thunderous applause and he graciously bowed and thanked us, and my buddy a few seat down snapped a pic -  


It was a perfect ending to a really amazing evening - I'm pretty sure it was somehow scored by John Williams also - and looking back it's a great reminder of how this annoying crappy industry can have these moments reach a level beyond "special" or "magical" and can only be defined as "Spielbergian."